Drum Circle

What are the differences between a Riq and a tambourine? They tend to resemble each other and seem to be played in a similar style, however there are subtle differences that make each one unique.

The riq (also spelled riqq or rik) is a type of tambourine used as a traditional instrument in Arabic music. It traditionally has a wooden frame (although in the modern era it may also be made of metal), jingles, and a thin, translucent head made of fish skin (or, more recently, a synthetic material). The frame of the riq can be covered on both the inner and outer sides with inlay such as mother-of-pearl, ivory or decorative wood, like apricot or lemon. It has ten pairs of small cymbals (about 4 cm in diameter), mounted in five pairs of slits. The skin of a fish is glued on and tightened over the frame, which is about 6 cm deep. In Egypt the riq is usually 20 cm wide; in Iraq it is slightly larger. The player of the riq plays without singing. The player alternates between striking the membrane and shaking the jingles, as the need for freedom of movement necessitates that they stand up. Students of the instrument are required to master the technical problems imposed by the timbre of the membrane and the jingles, both separately and in combination; aside from developing a virtuoso technique they also need to learn the many rhythmic cycles and the techniques of modifying them through creative invention.

The tambourine is a musical instrument of the percussion family consisting of a single drumhead mounted on a ring with pairs of small metal jingles. Most modern tambourines used in western popular music today consist only of the ring and jingles, with no drumhead. The tambourine can be held in the hand or mounted on a stand, and can be played in numerous ways, from stroking or shaking the jingles to striking it sharply with hand or stick or using the tambourine to strike the leg or hip. It is found in many forms of music, classic music, Roman music, Persian music, gospel music, pop music and rock music.

Remo Prizmatic Tambourine

10" Tunable Tambourine

Riq 8"

Glen Velez Riq

Labels: cymbals, drumhead, fish.skin.head, jingles, percussion.instrument, riq, tambourine, world.percussion

Below is a step-by-step guide in replacing drumheads. After reading the information, you will be able to replace drumheads on frame (ex: tambourine, african djembe) and ceramic drums.

1. You will need: masking tape, yellow wood glue, a straight edge (i.e. yardstick, etc), a utility knife and a clamp, along with your drum and the replacement goatskin head. An extended hose clamp works well. A strap and ratchet system may work. Remember that your clamp must provide even pressure around the drum.

2. Estimate the size of skin you will need by fitting your drum with a sheet of newspaper. It should cover the head of the drum, the area to be glued, and have enough excess to maneuver and clamp it. If the skin is too small you will have to start over with a larger skin.

3. Soak your goatskin in water for approximately 15 minutes. The skin should be pliable when you begin to re-head your drum.

4. Affix the masking tape to the upper part of the drum. Align it approximately one inch below the top of the drum. The tape is used to keep the glue from running down the side of the drum and gives a sharp edge to your replaced head.

5. If the old skin is still in place, use the skin edge as a guide to affix the masking tape. Remove any decorative trim. Place the tape on the drum adjacent to the skin edge. Peel off the old skin and dried glue. You do not need to clean the drum completely. Do not use cleaners or handle the lip surface, as this will leave residues.

6. To affix the masking tape without the old skin as a guide, place your straight edge across the top of the drum. Measure down, about one inch, from the yardstick to the drum's upper edge. If you need to, make a pencil mark on the drum. Do this around the entire drum. Affix the upper edge of the tape along this mark.

7. Apply the glue to the drum surface when your new skin is almost ready. Cover the drum surface from the top inside opening to the upper edge of the tape. Apply the yellow wood glue liberally. Let the glue slightly overlap the tape edge for a even fit.

8. Remove the goatskin from the water and blot it dry.
Drape the skin over the drum and center it. Do not squeeze out the glue. Smooth out the wrinkles.

9. Secure your clamp on top of the masking tape. Do not fully tighten the clamp. The skin should be sandwiched between the tape and clamp. You do not want the clamp to be above the tape edge. It will squeeze out the glue and leave indent marks in the new head.

10. Pull the skin edges to tighten the skin over the drum. Alternately tighten the clamp and pull the skin. For Ceramic Drums the goatskin should be pulled as tight as possible. If you are replacing a Fishskin head, pull it snuggly, but not as tight as possible or it could rip. IMPORTANT: for Frame Drums, the skin should have a slight droop of no more than 1/16 of an inch below level. The skin shrinks as it dries and will naturally tighten.

11. Allow the skin to dry 24 - 48 hours.

12. Trim the excess skin. Carefully, with a utility knife, cut along the upper edge of the tape. If you placed the clamp on evenly and it is level you may be able to use the clamp as a cutting guide. You should be able to feel the edge of the masking tape under the skin.

13. Remove tape. Wipe off your drum. If you wish, you can finish off the raw edge of the skin with colored electrical tape or fabric trim.

14. Enjoy your new drumhead!

Labels: african.djembe, ceramic.drum, drum.skin, drumhead, frame.drum, goatskin.head, tambourine

One of the largest U.S. manufacturers and suppliers of ethnic musical instruments, Mid-East has been family owned and operated for over 33 years (since 1973). They've stayed in business this long because they offer top quality products, and stand 100% behind everything they make.

The inception of Mid-East occurred back in the early 70's when Alice was working as a belly dance instructor. Belly dancing was the rage in the 70's and one of Alice's tasks, as a teacher, was to find the most reasonably priced materials for her students. Enter husband (Steve). At that time Steve worked as a stockbroker dealing with financial numbers all day. When Steve found out what the zills (finger cymbals) were costing he said "I could make them better and for less." And he did. After supplying Alice's students, they began to manufacture and supply zills to a number of dance studios. It wasn't long before their living room was turned into a makeshift factory. All four of their boys helped to count, clean, and bag zills. Within a few years Steve quit his stockbroker job. The family was in business. Customers began to show interest in a number of other instruments, and as they did, Mid-East began to manufacture and import bongos, tambourines, African Djembe's, Dhol's, and more ethnic based instruments from around the world. Today the company is housed in an 18,000 square foot warehouse in West Melbourne, Florida.

Don't be surprised if you have difficulty selecting that one special piece from our Mid-East line of percussion instruments. If you have questions, our knowledgeable staff at X8 Drums is dedicated to providing friendly and helpful service. We want our customers to know that Mid-East makes well crafted instruments at an exceptional value. We only carry the best!!

Labels: african.djembe, bongo, dhol, ethnic.instruments, mid-east, tambourine, world.percussion

Virtually all percussion instruments that are manufactured today are made in Bangkok, Thailand. Bangkok's close proximity to the raw material and skilled labor needed to manufacture percussion instruments make it an ideal location. Brands such as Tycoon, Latin Percussion, Toca, Meinl, and Fat Congas to name a few are all manufactured in Thailand. In fact Latin Percussion and Toca are subsidiaries of Kaman Music. However, only Tycoon owns its own factory in Bangkok. Most other brands rent factory space in Bangkok to manufacture their line of percussion instruments. The factories rented are in many cases generically set-up to produce all sorts of products - not just percussion instruments. That's not to say that these brands aren't quality, it's just the reality.

Because of Tycoon's specialized factory for making percussion instruments, there are some cases where companies commission Tycoon to manufacture their percussion instruments where they are eventually shipped to the states and sold to you under a different brand name.

Tycoon Percussion has been manufacturing high-end percussion instruments in their own factory for 20 plus years and has just recently decided to market the Tycoon Percussion brand in the U.S. market. We decided to carry the Tycoon percussion line because of their excellent reputation and experience in making top quality instruments. The Tycoon Percussion brand name is very well known and respected in Europe and Asia and is now on its way to becoming a top competitor in the U.S market. We're excited to offer these high quality instruments directly to you at the lowest guaranteed prices. Enjoy!!

Labels: bangkok, bongo, conga, djembe, fat.congas, latin.percussion, meinl, percussion.instrument, tambourine, toca, tycoon.percussion

Tambourines have a long, rich history that has roots in a wide variety of music. From classical to folk to rock, tambourines are simplistic yet versatile instruments that can really bring a song to life. Check out any Beatles record to see what I mean.

Tambourines are generally handheld instruments with a round, wooden frame and parchment or skinheads; metal disks or bells (called jingles) are inserted into the wooden rim. By striking the head of the tambourine or by shaking it, you set the jingles in motion. Rubbing your hand briskly across the drumhead will produce a whisking noise.

Though an ancient instrument, its structure has remained virtually unchanged. Tambourines were played in ancient Mesopotamia, Greece, and Rome, especially in religious contexts, and they have long been prominent in Middle Eastern folk and religious use. Crusaders took them to Europe in the 13th century. The ancient Romans used it, and in the Middle Ages traveling musicians and entertainers used it. In the 19th century the tambourine became a military-band instrument, appearing later and very occasionally in the orchestra. The timbrel or tabret of the Bible was probably similar to the tambourine.

In Europe, tambourines are associated with both folk and art music repertoire; Mozart was among the earliest western composers to include the tambourine in his compositions. Since the later eighteenth century it has become a more permanent element of the western orchestral percussion section, often used to suggest an exotic or eastern flavor to western audiences, as in Tchaikovsky's Arabian Dance from The Nutcracker Suite. The tambourine is mentioned often in the Old Testament as an instrument of celebration, as here: "Then Miriam the prophetess, Aaron's sister, took a tambourine in her hand, and all the women followed her, with tambourines and dancing."

Labels: drumhead, frame drums, handheld.instrument, tambourine, tambourines

A drum circle is any group of people typically playing hand drums and percussion in a circle. It is a rhythm-based event where a diverse group of individuals and instruments are gathered for the common purpose of empowering a community with creative self-expression in a group music making experience. Rhythmical expression is as ancient and unique as man and found throughout the world, represented in art, celebration, meditation, and wellness situations. Drum Circles are commonly used for social gatherings or to promote wellness in populations such as nursing homes, assisted living, at risk youth, mentally or physically challenged, and various community situations. Other instruments and dance can also be incorporated into the drum circle. They are distinct from a drumming group or troupe in that the drum circle is an end in itself rather than preparation for a performance. They can range in size from a handful of players to circles with thousands of participants.

A Community Drum Circle is a place for individuals to express themselves through the use of drums and percussion instruments. These instruments are accessible to a multi-generational and multicultural community. An individual can express himself or herself through the instrument without much skill or technique, becoming a part in the group song. The use of different instruments (drums, shakers, bells, etc.) allows the group to experience a metaphoric relation of the unique individuals involved in creating a diverse spontaneous rhythmic song, fun for the whole group. As the groups' sounds evolve, participants begin to hear the rhythmic interdependent relationships creating the songs. Conversations through rhythmic pulses emerge as the community becomes connected beyond the music produced.

Types of Drum and percussion instruments typically found in a drum circle include:

Ashiko
Bongo
Cluster Drum
Cajon Drum
Conga
Dhol (type of 2-headed drum)
Djembe
Doumbek
Drum Sticks
Jug Drum
Shakers
Tambourine
Timbales (sometimes)

Labels: ashiko, bongo, cluster.drum, conga, dhol, djembe, drum, drum.circle, drum.sticks, drums, hand.drum, percussion, percussion.instrument, tambourine, timbales